At some point, Aristotle's original work was divided in two, each "book" written on a separate roll of papyrus. The lost second part addressed comedy. The reason is that Aristotle says three times in the treatise that the protagonist can go from fortune to misfortune or misfortune to fortune; also in Chapter 14 the best type of tragoidos is that which ends happily, like Cresphontes and Iphigenia presumably "in Tauris"! Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry.
Only then may he begin to accept the knowledge as truth and act accordingly. Optionlock Story Limit Though the Ghost is impatient for revenge, there is plenty of time to murder Claudius.
There are, however, only so many ways to bring about the downfall of Claudius without bringing down the rest of the royal family and friends.
Failure Story Outcome In the effort to bring down Claudius and restore balance in the kingdom, many lives are lost—including all those of the royal family. Hamlet is dead, the great promise of his life forever lost. Something is indeed rotten in the state of Denmark. The monarch on whom the health and safety of the kingdom depend is a murderer.
Yet few persons know his secret: Hamlet, Horatio only belatedly, Claudius himself, and ourselves as audience. For, according to their own lights, Polonius and the rest behave as courtiers normally behave, obeying and flattering a king whom they acknowledge as their legitimate ruler.
Hamlet, for his part, is so obsessed with the secret murder that he overreacts to those around him, rejecting overtures of friendship and becoming embittered, callous, brutal, and even violent.
His antisocial behavior gives the others good reason to fear him as a menace to the state. Nevertheless, we share with Hamlet a knowledge of the truth and know that he is right, whereas the others are at best unhappily deceived by their own blind complicity in evil. Actuality Overall Story Response Hamlet is constantly trying to expose the true nature of people and events, for example, are Rosencrantz and Guildenstern really his friends or agents of the King?
Subconscious Overall Story Benchmark The means by which progress is measured in the objective story are basic human drives and desires: He soon meets with a specter claiming to be the ghost of his father. The Ghost tells him he was murdered by his brother, King Claudius, and commands Hamlet to seek revenge.
Hamlet agrees to do so, but conflicted by his own nature, he does not act immediately. King Claudius and his councillor, Polonius, have their suspicions about the young man and keep close watch. Falsehood and playacting occur on all sides creating mayhem and madness.
Revenge is eventually exacted, but at a cost far too dear; all the primary objective characters, with the exception of Horatio, suffer a tragic death. That law is based upon the sacramental view of a mystical bond formed in marriage which creates a relationship between man and wife as close as that which exists between blood relations.
Traditionally, incest was considered to be an offense against the whole of society. Lowers 21 Main Character Throughline Psychology Main Character Throughline Hamlet is a seriously introspective man, tending to bouts of melancholy and mind games.
Certain critics [notably A. In an age when the proper study of mankind was man, it seems improbable that a writer like Shakespeare, with his manifest intellectual curiosity and acquisitive mind, was unfamiliar with contemporary ideas regarding the causes, symptoms, and results of melancholy.
He wishes to be remembered as the worthy son of the superior King Hamlet, as minister called upon to execute public justice, not as scourge. Is he sane, or does he just think he is? And William Hazlitt continues: Change Main Character Symptom Hamlet focuses on the changes that have occurred around him and sees them as the source of his troubles: Inertia Main Character Response Hamlet would like things to go back to the way they were before his father died—sans Claudius, of course.
He has complete access to the castle, to finances, to his mother the queen, and most importantly to the king and his private chambers.Description of the Original Globe () The original Globe Theatre opened in the fall of on the south bank of the Thames River, across from central London.
Hamlet. Read. Behind the Scenes. Props Director Chris Young gave away a few of his bloody secrets. Find out what’s happening with the Shakespeare Theatre Company. Read More. Show Filters The Two Sides of Hal They featured a young Prince with two sides to his character, almost two faces, one could say, who struggles against all odds .
Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica; c. BC) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory in the West. This has been the traditional view for centuries. However, recent work is now challenging whether Aristotle focuses on literary theory per se (given that not one poem exists in.
Shakespeare, Character Analysis - The Two Sides of Othello. My Account. Essay about The Two Sides of Othello. Essay about The Two Sides of Othello There is practically nothing in it that does not contribute to plot or character development (unlike Hamlet, which is filled with a large cast, complexities, and sub-plots).
G. B. Harrison agrees. This webpage is for Dr.
Wheeler's literature students, and it offers introductory survey information concerning the literature of classical China, classical Rome, classical Greece, the Bible as Literature, medieval literature, Renaissance literature, and genre studies.
Shakespeare's "Hamlet" is the "world's most filmed story after Cinderella". Shakespeare experts Sir John Geilgud and Kenneth Branagh consider the definitive rendition of the Bard's tragic tale to be the Russian film which is based upon a translation by Boris Pasternak.