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Bring fact-checked results to the top of your browser search. Feminist criticism and gender studies Feminist and gender-study approaches to Shakespeare criticism made significant gains after Feminist criticism is deeply interested in marriage and courtship customs, gender relations, and family structures.
Diaries, marriage-counseling manuals, and other such documents become important to feminist study. These are only a few examples. Gender studies such as those of Bruce R. Deconstruction The critical movement generally known as deconstruction centred on the instability and protean ambiguity of language.
It owed its origins in part to the linguistic and other work of French philosophers and critics such as Ferdinand de SaussureMichel Foucaultand Jacques Derrida. Some of the earliest practitioners and devotees of the method in the United States were Geoffrey Hartmann, J.
Translation and paraphrase are exercises in approximation at best. The implications of deconstruction for Shakespeare criticism have to do with language and its protean flexibility of meanings.
Language, Culture, Contextfor example, offers many brilliant demonstrations of this, one of which is her study of the word preposterous, a word she finds throughout the plays. It means literally behind for before, back for front, second for first, end or sequel for beginning.
It is thus a term for disorder in discourse, in sexual relationships, in rights of inheritance, and much more. Deconstruction as a philosophical and critical movement aroused a good deal of animosity because it questioned the fixity of meaning in language. At the same time, however, deconstruction attuned readers to verbal niceties, to layers of meaning, to nuance.
Late 20th-century and early 21st-century scholars were often revolutionary in their criticism of Shakespeare.
To readers the result frequently appeared overly postmodern and trendy, presenting Shakespeare as a contemporary at the expense of more traditional values of tragic intensity, comic delight, and pure insight into the human condition.
No doubt some of this criticism, as well as some older criticism, was too obscure and ideologically driven. Yet deconstructionists and feminists, for example, at their best portray a Shakespeare of enduring greatness. He is dead, white, European, and male, and yet he appeals irresistibly to readers and theatre audiences all over the world.
In the eyes of many feminist critics, he portrays women with the kind of fullness and depth found in authors such as Virginia Woolf and George Eliot.To offer contrast to Edna’s rebelliousness in domestic and social affairs in “The Awakening” by Kate Chopin, there are a number of brief scenes, almost like paintings or a series of tableaux that are clean, direct reminders of how far the protagonist has strayed from her assigned duties as wife and mother as well as, on a much grander scale, the conventions of Victorian society.
The history of feminist literary criticism properly begins some forty or fifty years ago with the emergence of what is commonly termed second-wave feminism.
The history of this critical movement and its impact on culture and society will be charted in the second and third parts of this volume, but it is important to recognise that this story has a r-bridal.com: $ The history of feminist literary criticism is extensive, from classic works of nineteenth-century women authors such as George Eliot and Margaret Fuller to cutting-edge theoretical work in women's studies and gender studies by "third-wave" authors.
Feminist criticism and gender studies. Feminist and gender-study approaches to Shakespeare criticism made significant gains after Feminists, like New Historicists, were interested in contextualizing Shakespeare’s writings rather than subjecting them to ahistorical formalist analysis.
This book offers a comprehensive guide to the history and development of feminist literary criticism and a lively reassessment of the main issues and authors in the field.
It is essential reading for all students and scholars of feminist writing and literary criticism.
In this authoritative history of feminist literary criticism, leading scholars chart the development of the practice from the middle ages to the present. This book is essential reading for all students and scholars of feminist writing and literary criticism.5/5(1).